Showing Records: 141 - 160 of 313
Handwritten notes and partial draft in blue spiral notebook, 18 pages May 1992 Notebook also contains notes, sketches, and dialogue for play, “States of Shock", 1991; screenplay, “The Homesman,” May 1991; and play "original deception,” May 1991, 1991-1992
Heavily annotated typescript, dates and places include: November 1990, Virginia, December 1990, Florida, and December 1990, Virginia. Character names include: Reeves, Raynelle, Parnell, Clayton, and Joelie. 78 pages total, 1990, undated
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Hicks, James. "Defenseless," annotated shooting script and schedule. Film featured Shepard, Barbara Hershey, and Mary Beth Hurt. Directed by Martin Campbell, 1989
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Interview of Shepard on National Public Radio's "Fresh Air,” August 1996; Interview of Shepard by Paris Reviewregarding Shepard's writing process. Final typescript and gallery, 1997, August 1996, 1997
This series is comprised of a conversation between Bob Dylan and Shepard, circa mid 1980s to early 1990s. No transcript currently exists for these 3 audiocassettes, but the tapes have been transferred to CD as listening copies. Also included are the typescript and galleys for an interview of Shepard by Paris Review, regarding Shepard’s writing process, 1997, and an interview with Shepard on National Public Radio’s “Fresh Air”, August 1996.
Interviews, 1980-1997
This series is comprised of a conversation between Bob Dylan and Shepard, circa mid 1980s to early 1990s. No transcript currently exists for these 3 audiocassettes, but the tapes have been transferred to CD as listening copies. Also included are the typescript and galleys for an interview of Shepard by Paris Review, regarding Shepard’s writing process, 1997, and an interview with Shepard on National Public Radio’s “Fresh Air”, August 1996.
Jack Kerouac film documentary. Correspondence, notes, script material, annotated Kerouac excerpts, sent by Johnny Dark, 1991
This series is comprised of Shepard’s notes, correspondence and annotated photocopies of excerpts of his work read at various events. Arranged in chronological order by the event’s date.
Jacoby, Oren. "America's Playwrights: The Fugitive Kind," treatment for 20 minute television documentary for the American Theater Project. Draft typescript, October 10, no year
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Japanese production documents, including: Circle Repertory Company tour program, Tsurumi Shoten publication of script, and bilingual program for KSK Hall production
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Johnson, Randi. "Thin Skin," 1st draft, 19 page typescript, January 12, 1990
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Johnson, Randi. "Thin Skin," 2nd draft, 18 page typescript, January 22, 1990
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Jones, Tommy Lee and Allen. J.T. "The Good Old Boys."6th draft typescript with location map, wardrobe sketch for Hewey, and shooting schedule, 1994
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Joseph Chaikin, 1984-1997
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Ketron, Larry. "The Only Thrill," heavily annotated typescript, location information, and shooting schedule. The film featured Shepard and Diane Keaton, October 1996
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Knopf catalog featuring Cruising Paradise, Spring 1996
Latvian translation by Karina Petrsone, hardbound, 1990
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Literary Criticism, 1984
This series is comprised of a review by Shepard of Peter Handke’s novel The Weight of the World, including a letter from Handke’s editor, Shepard’s draft, and a copy of the essay as published in Vanity Fair, September 1984.
Location notes, memos, and map, October 24, 1988
Location stills by Volker, color photographs in blue notebook, undated
Lou Reed "New Sensations" RCA 1984; "The Moray Eels Eat at the Holy Modal Rounders" Elektra Records; NightVoices. "Intimacy / Insomnia", 1984
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
"Malestroms Large and Small: An Evening of Primo Levi," Manhattan Theater Club script and correspondence, 1991
This series is comprised of Shepard’s notes, correspondence and annotated photocopies of excerpts of his work read at various events. Arranged in chronological order by the event’s date.
